
This is the first stab at an image I'm working on.
I got really excited today, because I kind of realized my first opportunity to "make" a photographic work which is similar in complexity to a piece of traditional artwork, such as painting or drawing.
I saw some willow trees blowing in the breeze and I was especially stricken with their motion and long, flowing lines. I essentially pictured a photo which was a massive enlargement (I'm currently planning the photo to be 90" by 40", which is the aspect ratio of the above photo). However, I want the photo to look as close to the above photo as possible with a few changes.
First of all, a 90x40" enlargement presents some problems. At 300dpi, this is an image 27,000 x 12,000. Of course you can just enlarge a photo and lose quality, but it is possible to take a photo which is 27,000 x 12,000... A few posts back I gave an example of the detail of 4x5 film. That image was scanned, if I recall, at 1,200 DPI. A 4x9 aspect ratio image on 4x5 film requires a scan of 6,400 DPI, which, will need to be wet mounted on glass plates in order to get the image in focus (each pixel will represent .00015 inches). Since I don't have access to a wet mount scanner, unfortunately I think I'll need to take a drop to 5,400 DPI.
Of course there's the issue of focusing this on the camera, again, the image on the ground glass will be a 2.11x4.75" representation of an image which will eventually be 40x90". So I think I'll need a 20x loupe and hope that the ground glass on the camera will actually have enough detail.
Then as far as printing goes, I'll need to order six separate 20x30" prints and mount them on something... with something... such that it lays flat and will not move or warp even slightly... I'm thinking of somehow mounting it onto or between glass.
The final image I have in mind is a bit more dramatic, again, the above shot was just sort of a placid moment, a test shot to see if I can make the image work with a 50mm lens, because I only have a 160mm lens (the 160 on a 4x5 is roughly equivalent to a 50mm on a full frame camera). I want the final image to have an almost violent wind, a visual disruption and clear movement.
All in all this is a lot of fun for me. I've never really worked printing and mounting so directly into the creative process, but when I saw this picture in my head I knew it could only work as a huge,
huge loving print with violent motion and a whole lot of detail.