Author Topic: Going to the Park (Short Film by Swholli)  (Read 1036 times)

If anyone were to ask me what I did today with the beautiful weather, I only need to direct you to this video.



A silent, experimental short film that deals in abstracts and realism.

No fancy camera work; just cinematography in mind. Attempting to add cinematic to the listless. The concept had gritty home movies in mind, but taking them to string a meaningful if not artsy story.

This is both a nonfiction piece as well as a narrative on themes. I don't claim some sort of higher understanding however, as these themes were created through happy accidents. The idea was to go to the park and shoot the sunset. What I ended up getting was some pretty nice, but ultimately plot lacking shots. So, it wasn't until editing and post that any sort of "story" was structured.

Lastly, as not to claim some sort of false sense of the profound or pompous flirtation with ideas that aren't mine, I leave it to you, the viewer, to decide ultimately what you think this piece is about.

I Ran is performed by A Flock of Seagulls and is copyright 1982.

Dust in the Wind is performed by Kansas and is copyright 1977.

Like i said on facebook, I expected a "Going to the store" spin off.

Yeah, the title never dawned on me as any relation.

I just figured it fit with the subject matter.

Perhaps next time I'll think up more abstract titles, such as The Park, She is my Mistress or This River Burned so we Could Swim.

Which, PS, this is the Cuyahoga River we're talking about here. It caught on fire several times in the 70s.

In the next video, I'll be visiting Kent Ohio in order to recreate the shootings that took place there, to which my Uncle was present during.

God, forget Ohio.

Bump because I want people's interpretations.

I sort of made this video to be about anything, let your mind wander and tell me what the story is.

Bump because I want people's interpretations.
the two people there look like they're in love
they went to a park to spend time together
???

That's possible.

In the fiction of the film, sure.

Though in reality, that's my sister and I'd kill him if it were anything other than friendship. lol

It's about some people going to a park

[/thread]


You're boring. lol

The car that they used to go to the park symbolizes the car that they used to go to the park.

For a "home video" effect you should have added those obligatory date stamps on the corner of the video.

Otherwise it was very nice.

And now, for a half-assed interpretation just for your entertainment in which I'll be talking out from my ass. Enjoy:

Two main themes can be identified here, one of them is escapism and the other one is our place in the cosmos. The former is present during the driving sequences, as the characters are getting away from the bustling city. This is emphasised by the choice of music. The escape here is portrayed as a voluntary one and the characters are showing a positive attitude towards to it. (Either that, or the crack in the wind-shield is really crack.) The second sequence shows us what Rousseau described as "back to nature". Here, we can see the characters moving freely, whereas in the previous sequence the characters were restrained in the car (well, safety belts are nice though when it comes to accidents). Also, the music heard during this part transmits tranquillity, which is also underlined by the images of the sun setting and the and this tranquillity is part of the cosmic harmony which can be seen as man and woman are sitting on the top of their world. Alas, the innocence does not last long as they are going back to the city, but the shots of wild animals makes you remember the time of innocence when humans were part of the nature. These are the sequences which give an existentialist vibe to the whole film.

-snip-

If I had to give an official explanation for the film, this would be the closest to it.

I'm sure Wedge would be able to give you a better summary, after all he's the man with the amazing literary skills.

That would actually be cool if he did it.

See, I've noticed though that creativity hardly ever gets people talking.

I mean, I'm glad Badspot made this thread for us a while back, but I feel like I'd get more feedback in Offtopic.

I mean, I'm glad Badspot made this thread for us a while back, but I feel like I'd get more feedback in Offtopic.
Creativity is a slow board.



I like to think I'm getting to be pretty good at literary brown townysis.  But when I see your film, nothing.

In order for symbolism to be done well, I believe, there has to be some sort of over-arching motif or something of that nature, which your film seems to lack.

For example, in Flowers for Algernon, there are two women who symbolize the freudian idea of the Id and the Superego.  The main character's relationship with the women is symbolic of his relationship with his relationship with that part of his being at the time.  The overarching motif there is an aspect of Freudian Psychology.

Another good example is a poem I have been thinking about writing about a girl who dies of cancer.  The poem would describe the faded flowers on her dress as she is diagnosed, the withered flowers by her hospital bed, and the bright red rose that sits in front of grave all winter long.  In the poem, the flowers would represent her physical condition, and the bright red rose in front of her grave would represent her being in heaven.

In what you said was the closest explanation of the film, the "Theme" is apparently existentialism, but there is no motif or anything that would make me think it's symbolic other than the lack of content and the shaky camera.  In fact, I looked up existentialism it is "A philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will" and I am now totally convinced that there is no real meaning, because the "Music heard during [the part in the field that] transmits tranquility" states that "Everything is dust in the wind", which sounds to me like a nearly anti-existentialist message.

One last thing, symbolism does not a good film make.  Symbolism should seek only to expand the message, not obscure it.  Going back to Flowers for Algernon, if you completely ignore the symbolism and take everything for face value, it is still a fantastic story about a mentally handicapped man who becomes a genius.  That is why I dislike most artistic films, all symbolism, no substance.

Well, I do have to agree with you on all of your points.

Like I said, this was merely an experiment to get people to think about it. I didn't put any clear efforts into the film other than it truly was a trip to the park that I captured and then edited. While I like Barnabas' explanation, if I had to pick someone who was "correct" it'd be yours, because that is really all that happened.

The reason I asked for interpretations mostly is this theory I've been working on (whether I actually bring it up in my next English essay is to be seen as the professor has made no indication of writing about anything interesting).

Last year my AP English teacher did what most high school teachers do, and that was have us search for the symbolism in every last detail of the text. It was her idea that even punctuation held great meaning. While that may be true in a lot of cases, not every author puts their periods where they do for art, sometimes it is simply for structure in order to construct a correct and interesting sentence. The same is said for when she'd brown townyse the plot.

But then, that's the theory. Art is within the eyes of the beholder as soon as the artist lets go of it. His official explanation no longer has to mean anything because as soon as everyone has seen it it takes on its own life. Art transcends the artist, as while the artist will eventually die, art itself can be nearly eternal.

So the point of this film, really, was to take a mundane day at the park (with some pretty cool shots o the sunset and other things) and add a bit of artistic flair through editing. Everything you saw in those shots are all chronological; I didn't change the order of the clips when placing them on the timeline. Then I asked everyone to interpret it and see what they come up with.

I was hoping there'd be a few more responses before I explained what it was I was doing (because even I admit this film holds no true meaning nor does it try to even ascend to it), but alas like you said, Creativity is a slow board.

The only counter argument I have to say to you, and this is more in relation to the song than the film itself, is that to me "dust in the wind" is a connection the the phrase "ashes to ashes, dust to dust" which is the idea that when we die, it doesn't matter who you were in life, in the end it's all the same matter being put in its grave to turn to dust (or if you're cremated, ash). The song goes on and says (paraphrasing) "in the end, that's all we all are, dust being blown away never to be seen again." To me, that is existential, as the idea that nothing truly matters, it's your own life and you need to live it accordingly as in the end, we're all turning to dust.