Author Topic: the emoji movie is out, and the reviews are about as you expect  (Read 10100 times)



oh my god its actually worse than i thought it would be
edit: bonus round
on the list of films with a 0 percent rating on rotten tomatoes (wayback archive)
review by the guardian:
Quote from: The Guardian
The Emoji Movie review – a big thumb down 👎
1 / 5 stars

This 💩 corporate clickbait exercise pretends to be a film for kids, but is actually trying to cross-sell apps to a tween audience

Children should not be allowed to watch The Emoji Movie. Their impressionable brains simply aren’t set up to sift through the thick haze of corporate subterfuge clouding every scene of this sponsored-content post masquerading as a feature film. Adults know enough to snort derisively when, say, an anthropomorphic high-five drops a reference to popular smartphone game Just Dance Now (available for purchase in the App Store, kids!), but young children especially are more innocent and more vulnerable.

The Emoji Movie is a force of insidious evil, a film that feels as if it was dashed off by an uninspired advertising executive. The best commercials have a way of making you forget you’re being pitched at, but director Tony Leondis leaves all the notes received from his brand partners in full view. The core conceit apes Tim Burton’s The Nightmare Before Christmas, where a spirited misfit hops between self-contained worlds styled in a single recognisable way. Instead of holidays, however, our hero here jumps from app to app, and the ulterior motive of pumping up download numbers drains every last drop of joy from Leondis’s efforts to enchant.

The director wants us to think of Textopolis, the bustling city inside our smartphones, as a world of pure imagination. When a meh-face emoji named Gene (TJ Miller) is banished from his home for daring to express an emotion other than unimpressed nonchalance, Leondis takes his odyssey of self-discovery as an opportunity to imagine fantastical scenery. As a smiley-face emoji (Maya Rudolph) ruling Textopolis with a cheery iron fist tirelessly hunts him down, Gene gapes in awe at such marvels as a supercharged rollercoaster ride through raw data and a pixelated humpback whale that majestically glides over him. But because these glossy images are so nakedly in service of plugs for Dropbox and Spotify, it’s all but impossible to appreciate any incidental beauty they might possess.

 The pervasive falseness extends to the film’s thematic underpinnings, which make a clumsy lunge at vague, be-yourself positivity. The paramount importance of being true to one’s own spirit is made literal in Gene’s silly quandary; he’s forced to hide who he is for the sake of compulsory homogeneity, and only through tapping into his full range of emotions can he achieve his potential. While Leondis, who is gay, has stated he intends this as an allegory for the tribulations faced by the non-heteroloveual community, any social commentary is stymied by the execution. The film’s insistent feel-goodery and occasional nods to feminism (delivered by a spunky blue-haired hacker emoji, voiced by Anna Faris) ring false. Product-placement mashups Toy Story and The Lego Movie had the purity of playtime to seal in the sentimentality; somehow it’s not as endearing in a film built around the apps we use to kill time while sat on the toilet.

The ruthless mercenary details take the Emoji Movie beyond simply embarrassing and incompetent into something more manipulative and contemptible. One perplexing scene finds the emoji pals all doing a synchronised dance called “the emoji bop”. In a film so desperate to sell itself, this is clearly a craven bid to go viral, the cinematic equivalent of clickbait. The script practically begs for the approval of the tweens that elevated the lowly emoji to phenomenon status, but has only the slightest notion how they talk or act. Alex (Jake T Austin), the human in possession of the phone housing Gene and the rest of the cast, speaks like an dusty oldster. Alex’s awkward courtship of the cute girl in his class revolves around the deployment of emojis, but demonstrates no workable understanding of how the icons fit into adolescent life. Watching this fogeyish hero angle for edgy relevance is as uncomfortable as reading a fast-food chain’s Twitter account.

However, the most disturbing part of this toxic film is the way it infects audiences with its ugly cynicism. A viewer leaves The Emoji Movie a colder person, not only angry at the film for being unconscionably bad, but resentful of it for making them feel angry. A critic can accept the truth that art and commerce will spend eternity locked in opposition. Nevertheless it’s still startling to see art that cheers commerce on while being stamped in the face by its boots.
review by vox: https://www.vox.com/summer-movies/2017/7/27/16037862/emoji-movie-review-garbage-fire-poo-patrick-stewart (so long im not going to bother quoting it)
tl;dr the emoji movie is just a giant advertisement, and its not even a good one
« Last Edit: July 27, 2017, 11:28:57 PM by Mr Queeba »

this movie is reason enough for sony animation to voluntarily close their doors and for hollywood hubris to die

Things we saw coming a mile away:
Two Scoops
The Second Airplane
The Emoji Movie being stuff
hmm...
* Master Matthew² crosses out "The Emoji Movie being stuff"

ah yes as it should be

God I hope the hollywood animation industry collapses

God I hope the hollywood animation industry collapses
This will be the first and last time I agree with a filthy loving commie.

God I hope the hollywood animation industry collapses
Not enough Russian Pride. But once the Hollywood Animation Industry collapses, our Russian animation industry will become the dominant industry in the world!
« Last Edit: July 27, 2017, 10:48:14 PM by cblock360 »

Only 20 reviews, give it some more time.

Not enough Russian Pride.
Honestly, the east coast, specifically the north east, should take back the animation industry from these out of touch idiots.

God I hope the hollywood animation industry collapses
much like you did at your nursing home today

they should just take this movie out back like old yeller

But once the Hollywood Animation Industry collapses, our Russian animation industry will become the dominant industry in the world!
I don't think so you vodka vacuum.

I don't think so you vodka vacuum.
You're right, Japan is still huge problem.

You're right, Japan is still huge problem.
Ha, your alcohol has flooded your deduction skills out of your glass brain.
Japan is merely a camouflage.

Our real off-shore animation industry is far more subtle and far less expected.
Should Hollywood fall, and we do not have an immediate replacement, they will draw us a new world.

This will be the first and last time I agree with a filthy loving commie.
What if I said Master Matthew was cool?
much like you did at your nursing home today
You can't turn your own insecurity against me, Gridlock