Author Topic: scary stories  (Read 96029 times)



I have one of my Favorites :D I also had to read this in Language arts.

The lottery



    

The Lottery

by Shirley Jackson

Word Count: 3773


The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.

The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play. and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and richardie Delacroix-- the villagers pronounced this name "Dellacroy"--eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at rolled in the dust or clung to the hands of their older brothers or sisters.

Soon the men began to gather. surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother's grasping hand and ran, laughing, back to the pile of stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.

The lottery was conducted--as were the square dances, the teen club, the Halloween program--by Mr. Summers. who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him. because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called. "Little late today, folks." The postmaster, Mr. Graves, followed him, carrying a three- legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool. and when Mr. Summers said, "Some of you fellows want to give me a hand?" there was a hesitation before two men. Mr. Martin and his oldest son, Baxter. came forward to hold the box steady on the stool while Mr. Summers stirred up the papers inside it.

The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained.

Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued. had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into he black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there.
      

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There was a great deal of fussing to be done before Mr. Summers declared the lottery open. There were the lists to make up--of heads of families. heads of households in each family. members of each household in each family. There was the proper swearing-in of Mr. Summers by the postmaster, as the official of the lottery; at one time, some people remembered, there had been a recital of some sort, performed by the official of the lottery, a perfunctory. tuneless chant that had been rattled off duly each year; some people believed that the official of the lottery used to stand just so when he said or sang it, others believed that he was supposed to walk among the people, but years and years ago this p3rt of the ritual had been allowed to lapse. There had been, also, a ritual salute, which the official of the lottery had had to use in addressing each person who came up to draw from the box, but this also had changed with time, until now it was felt necessary only for the official to speak to each person approaching. Mr. Summers was very good at all this; in his clean white shirt and blue jeans. with one hand resting carelessly on the black box. he seemed very proper and important as he talked interminably to Mr. Graves and the Martins.

Just as Mr. Summers finally left off talking and turned to the assembled villagers, Mrs. Hutchinson came hurriedly along the path to the square, her sweater thrown over her shoulders, and slid into place in the back of the crowd. "Clean forgot what day it was," she said to Mrs. Delacroix, who stood next to her, and they both laughed softly. "Thought my old man was out back stacking wood," Mrs. Hutchinson went on. "and then I looked out the window and the kids was gone, and then I remembered it was the twenty-seventh and came a-running." She dried her hands on her apron, and Mrs. Delacroix said, "You're in time, though. They're still talking away up there."





      

Mrs. Hutchinson craned her neck to see through the crowd and found her husband and children standing near the front. She tapped Mrs. Delacroix on the arm as a farewell and began to make her way through the crowd. The people separated good-humoredly to let her through: two or three people said. in voices just loud enough to be heard across the crowd, "Here comes your, Missus, Hutchinson," and "Bill, she made it after all." Mrs. Hutchinson reached her husband, and Mr. Summers, who had been waiting, said cheerfully. "Thought we were going to have to get on without you, Tessie." Mrs. Hutchinson said. grinning, "Wouldn't have me leave m'dishes in the sink, now, would you. Joe?," and soft laughter ran through the crowd as the people stirred back into position after Mrs. Hutchinson's arrival.

"Well, now." Mr. Summers said soberly, "guess we better get started, get this over with, so's we can go back to work. Anybody ain't here?"

"Dunbar." several people said. "Dunbar. Dunbar."

Mr. Summers consulted his list. "Clyde Dunbar." he said. "That's right. He's broke his leg, hasn't he? Who's drawing for him?"

"Me. I guess," a woman said. and Mr. Summers turned to look at her. "Wife draws for her husband." Mr. Summers said. "Don't you have a grown boy to do it for you, Janey?" Although Mr. Summers and everyone else in the village knew the answer perfectly well, it was the business of the official of the lottery to ask such questions formally. Mr. Summers waited with an expression of polite interest while Mrs. Dunbar answered.
      




"Horace's not but sixteen vet." Mrs. Dunbar said regretfully. "Guess I gotta fill in for the old man this year."

"Right." Sr. Summers said. He made a note on the list he was holding. Then he asked, "Watson boy drawing this year?"

A tall boy in the crowd raised his hand. "Here," he said. "I m drawing for my mother and me." He blinked his eyes nervously and ducked his head as several voices in the crowd said thin#s like "Good fellow, lack." and "Glad to see your mother's got a man to do it."

"Well," Mr. Summers said, "guess that's everyone. Old Man Warner make it?"

"Here," a voice said. and Mr. Summers nodded.

A sudden hush fell on the crowd as Mr. Summers cleared his throat and looked at the list. "All ready?" he called. "Now, I'll read the names--heads of families first--and the men come up and take a paper out of the box. Keep the paper folded in your hand without looking at it until everyone has had a turn. Everything clear?"

The people had done it so many times that they only half listened to the directions: most of them were quiet. wetting their lips. not looking around. Then Mr. Summers raised one hand high and said, "Adams." A man disengaged himself from the crowd and came forward. "Hi. Steve." Mr. Summers said. and Mr. Adams said. "Hi. Joe." They grinned at one another humorlessly and nervously. Then Mr. Adams reached into the black box and took out a folded paper. He held it firmly by one corner as he turned and went hastily back to his place in the crowd. where he stood a little apart from his family. not looking down at his hand.
      





      

"Allen." Mr. Summers said. "Anderson.... Bentham."

"Seems like there's no time at all between lotteries any more." Mrs. Delacroix said to Mrs. Graves in the back row.

"Seems like we got through with the last one only last week."

"Time sure goes fast.-- Mrs. Graves said.

"Clark.... Delacroix"

"There goes my old man." Mrs. Delacroix said. She held her breath while her husband went forward.

"Dunbar," Mr. Summers said, and Mrs. Dunbar went steadily to the box while one of the women said. "Go on. Janey," and another said, "There she goes."

"We're next." Mrs. Graves said. She watched while Mr. Graves came around from the side of the box, greeted Mr. Summers gravely and selected a slip of paper from the box. By now, all through the crowd there were men holding the small folded papers in their large hand. turning them over and over nervously Mrs. Dunbar and her two sons stood together, Mrs. Dunbar holding the slip of paper.

"Harburt.... Hutchinson."

"Get up there, Bill," Mrs. Hutchinson said. and the people near her laughed.

"Jones."

"They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in the north village they're talking of giving up the lottery."

Old Man Warner snorted. "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work any more, live hat way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery," he added petulantly. "Bad enough to see young Joe Summers up there joking with everybody."

"Some places have already quit lotteries." Mrs. Adams said.

"Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools."

"Martin." And Bobby Martin watched his father go forward. "Overdyke.... Percy."

"I wish they'd hurry," Mrs. Dunbar said to her older son. "I wish they'd hurry."

"They're almost through," her son said.

"You get ready to run tell Dad," Mrs. Dunbar said.

Mr. Summers called his own name and then stepped forward precisely and selected a slip from the box. Then he called, "Warner."

"Seventy-seventh year I been in the lottery," Old Man Warner said as he went through the crowd. "Seventy-seventh time."

"Watson" The tall boy came awkwardly through the crowd. Someone said, "Don't be nervous, Jack," and Mr. Summers said, "Take your time, son."

"Zanini."

After that, there was a long pause, a breathless pause, until Mr. Summers. holding his slip of paper in the air, said, "All right, fellows." For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saving. "Who is it?," "Who's got it?," "Is it the Dunbars?," "Is it the Watsons?" Then the voices began to say, "It's Hutchinson. It's Bill," "Bill Hutchinson's got it."

"Go tell your father," Mrs. Dunbar said to her older son.

People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly. Tessie Hutchinson shouted to Mr. Summers. "You didn't give him time enough to take any paper he wanted. I saw you. It wasn't fair!"

"Be a good sport, Tessie." Mrs. Delacroix called, and Mrs. Graves said, "All of us took the same chance."

"Shut up, Tessie," Bill Hutchinson said.

"Well, everyone," Mr. Summers said, "that was done pretty fast, and now we've got to be hurrying a little more to get done in time." He consulted his next list. "Bill," he said, "you draw for the Hutchinson family. You got any other households in the Hutchinsons?"

"There's Don and Eva," Mrs. Hutchinson yelled. "Make them take their chance!"

"Daughters draw with their husbands' families, Tessie," Mr. Summers said gently. "You know that as well as anyone else."

"It wasn't fair," Tessie said.

"I guess not, Joe." Bill Hutchinson said regretfully. "My daughter draws with her husband's family; that's only fair. And I've got no other family except the kids."

"Then, as far as drawing for families is concerned, it's you," Mr. Summers said in explanation, "and as far as drawing for households is concerned, that's you, too. Right?"

"Right," Bill Hutchinson said.

"How many kids, Bill?" Mr. Summers asked formally.

"Three," Bill Hutchinson said.

"There's Bill, Jr., and Nancy, and little Dave. And Tessie and me."

"All right, then," Mr. Summers said. "Harry, you got their tickets back?"

Mr. Graves nodded and held up the slips of paper. "Put them in the box, then," Mr. Summers directed. "Take Bill's and put it in."

"I think we ought to start over," Mrs. Hutchinson said, as quietly as she could. "I tell you it wasn't fair. You didn't give him time enough to choose. Everybody saw that."

Mr. Graves had selected the five slips and put them in the box. and he dropped all the papers but those onto the ground. where the breeze caught them and lifted them off.

"Listen, everybody," Mrs. Hutchinson was saying to the people around her.

"Ready, Bill?" Mr. Summers asked. and Bill Hutchinson, with one quick glance around at his wife and children. nodded.

"Remember," Mr. Summers said. "take the slips and keep them folded until each person has taken one. Harry, you help little Dave." Mr. Graves took the hand of the little boy, who came willingly with him up to the box. "Take a paper out of the box, Davy." Mr. Summers said. Davy put his hand into the box and laughed. "Take just one paper." Mr. Summers said. "Harry, you hold it for him." Mr. Graves took the child's hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly.

"Nancy next," Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward switching her skirt, and took a slip daintily from the box "Bill, Jr.," Mr. Summers said, and Billy, his face red and his feet overlarge, near knocked the box over as he got a paper out. "Tessie," Mr. Summers said. She hesitated for a minute, looking around defiantly. and then set her lips and went up to the box. She snatched a paper out and held it behind her.

"Bill," Mr. Summers said, and Bill Hutchinson reached into the box and felt around, bringing his hand out at last with the slip of paper in it.

The crowd was quiet. A girl whispered, "I hope it's not Nancy," and the sound of the whisper reached the edges of the crowd.

"It's not the way it used to be." Old Man Warner said clearly. "People ain't the way they used to be."

"All right," Mr. Summers said. "Open the papers. Harry, you open little Dave's."

Mr. Graves opened the slip of paper and there was a general sigh through the crowd as he held it up and everyone could see that it was blank. Nancy and Bill. Jr.. opened theirs at the same time. and both beamed and laughed. turning around to the crowd and holding their slips of paper above their heads.

"Tessie," Mr. Summers said. There was a pause, and then Mr. Summers looked at Bill Hutchinson, and Bill unfolded his paper and showed it. It was blank.

"It's Tessie," Mr. Summers said, and his voice was hushed. "Show us her paper. Bill."

Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd.

"All right, folks." Mr. Summers said. "Let's finish quickly."

Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up."

Mr. Dunbar had small stones in both hands, and she said. gasping for breath. "I can't run at all. You'll have to go ahead and I'll catch up with you."

The children had stones already. And someone gave little Davy Hutchinson few pebbles.

Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him.

"It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
« Last Edit: March 05, 2010, 10:57:46 PM by Mr.LoLHaX »

Somewhere in West Philadelphia, you will find an old basketball court with a single ball lying in the middle. Pick it up and start shooting hoops. After a while, a small group of hooligans will approach you and challenge you to a fight, which you must accept.

After the fight, you must go home and relay the events to your mother. She will then inform you that you have an aunt and uncle living in one of the districts of Los Angeles, and out of fear, she will send you to live there for an indefinite period of time.

With your bags packed, go to the street corner, and whistle for a cab. The cab that will pull up will bear the word FRESH on the license plate, and upon closer inspection, novelty fuzzy dice will hang in the mirror. Although you will suddenly realize that cabs like these are extremely hard to find, do not bear any thought to it. At this point you MUST point out in front of the car and say ‘Yo homes to Bel Air’. You will stop in front of a mansion, and it will be sometime between 7 and 8 o’clock, even though it will feel like you’ve been traveling mere seconds. Get your luggage out and say ‘Yo homes, smell ya later!’, but do NOT turn back to face the cabby. Walk up to the door, look over your shoulder once, and then knock on the door three times.

If you follow these instructions, your life will get flip-turned upside-down.
dude thats from the Fresh prince of Bel-Air!

-Big and freaking scary storie- :(
!!! That makes me want to say moo

Lolhax, we read that too :O

The Message

Don’t dismiss this outright as the work of some raving lunatic. There’s some sense to this story, if you’ll just hear me out…

Look, we all wonder if time travel is possible, right? Well, let me tell you something… it is. I’m from the future, actually. I know you probably don’t believe that, but seriously, I’m from the future. It’s a really great thing; getting to see the past, watching events unfold… stuff like that. We know more now than we ever would.

Behind all the fun, though, there’s a more serious aspect. We aren’t supposed to go in our own lifetime, and we are NEVER allowed to contact our past selves. Let me tell you, I’m breaking that rule right now. Yes, kid, you’re talking to yourself. Your future self. I’m going to be executed for this, but you know what? I accept that. I’m preventing something by talking to you that is WORSE than death. I can’t tell you outright what to do, because the filters would catch it. This is the closest I can get, trust me. I can, however, send a little message.

You should probably read the first word of every paragraph, now.

FUUUUUUUUUU-
-UUUUUCCCCCkool kids klubK HA!im on my couch no 1 can be behind me cause its againtst the wall!

Whats so scary?
well...the "item"over the keyhole was red and there eyes are red

This one time..



I installed roblox.
that gave me nightmares

A man went to a hotel and walked up to the front desk to check in. The woman at the desk gave him his key and told him that on the way to his room, there was a door with no number that was locked and no one was allowed in there, and that no one should look inside the room, under any circumstances. So he followed the instructions of the woman at the front desk, going straight to his room, and going to bed.

The next night his curiosity would not leave him alone about the room with no number on the door. He walked down the hall to the door and tried the handle. Sure enough it was locked. He bent down and looked through the wide keyhole. Cold air passed through it, chilling his eye. What he saw was a hotel bedroom, like his, and in the corner was a woman whose skin was completely white. She was leaning her head against the wall, facing away from the door. He stared in confusion for a while. He almost knocked on the door, out of curiosity, but decided not to. This disinclination saved his life. He crept away from the door and walked back to his room. The next day, he returned to the door and looked through the wide keyhole. This time, all he saw was redness. He couldn’t make anything out besides a distinct red color, unmoving. Perhaps the inhabitants of the room knew he was spying the night before, and had blocked the keyhole with something red.

At this point he decided to consult the woman at the front desk for more information. She sighed and said, "Did you look through the keyhole?" The man told her that he had and she said, "Well, I might as well tell you the story. A long time ago, a man murdered his wife in that room, and her ghost haunts it. But these people were not ordinary. They were white all over, except for their eyes, which were red."
What is wrong with you?!!??! you trying to traumatize children?!?!?! including me?!!?!?!?

What is wrong with you?!!??! you trying to traumatize children?!?!?! including me?!!?!?!?
Lol it is the scary stories thread not the boring stories thread.

true, oooh, i got a scary story, its called the "Hairy Toe"

Once there was an old woman who went out in the woods to dig up some roots to cook for dinner. She spotted something funny sticking out of the leaves and dug around until she uncovered a great big hairy toe. There was some good meat on that toe which would make a real tasty dinner, so the old woman put it in her basket and took it home.

When she got back to her cottage, the old woman boiled up a kettle-full of hairy toe soup, which she ate for dinner that night. It was the best meal she'd had in weeks! The old woman went to bed that night with a full stomach and a big smile.

Along about midnight, a cold wind started blowing in the tops of the trees around the old woman's house. A large black cloud crept over the moon and from the woods a hollow voice rumbled: "Hairy toe! Hairy toe! I want my hairy toe!" Inside the house, the old woman stirred uneasily in her bed and nervously pulled the covers up over her ears.

From the woods there came a stomp-stomp-stomping noise as the wind whistled and jerked at the treetops. In the clearing at the edge of the forest, a hollow voice said: "Hairy toe! Hairy toe! I want my hairy toe!" Inside the house, the old woman shuddered and turned over in her sleep.

A stomp, stomp, stomping sound came from the garden path outside the cottage. The night creatures shivered in their burrows as a hollow voice howled: "Hairy toe! Hairy toe! I want my hairy toe!" Inside the house, the old woman snapped awake. Her whole body shook with fright as she listened to the angry howling in her garden. Jumping out of bed, she ran to the door and barred it. Once the cottage was secure, she lay back down to sleep.

Suddenly, the front door of the cottage burst open with a bang, snapping the bar in two and sending it flying into the corners of the room. There came the stomp, stomp, stomping noise of giant feet walking up the stairs. Peeping out from under the covers, the old woman saw a massive figure filling her doorway. It said: "Hairy toe! Hairy toe! I want my hairy toe!"

The old woman sat bolt upright in terror and shouted: "I ATE your hairy toe!"

"Yes, you did," the giant figure said very gently as it advanced into the room.

No one living in the region ever saw the old woman again. The only clue to her disappearance was a giant footprint a neighbor found pressed deep into the loose soil of the meadow beside the house. The footprint was missing the left big toe.

The Twitch

A vacation with my family. I thought nothing of it. We were staying at some hotel in the middle of nowhere and the weather seemed to slowly change as we drove. From nice and sunny to...dark and bleak. There it was, Arivado Hotel. Silly name right? Not exactly. If I knew better, I would of told my siblings and parents right then. But I didn't. If I had a second chance, I would of studied Arivado Hotel for days to figure out why this happened.

We held our bags and entered the hotel. We walked up to what looked like the manager. He was wearing a white shirt with a green tie and a red coat. He had a massive smile, but a twitch. A very sudden twitch. Almost every word..a twitch. I examined him closely. The only thing I found that looked strange on him was his bracelet. It was completely black apart from some small diamonds. They looked fake.

"HOW MAY I HELP YOU SIR?" he almost shouted, twitching frequently.

"We would like to have our room key please." my father told him.

"OH, CERTAINLY! ASK VERONICA!" he said.

We walked up to Veronica.

"HELLO AND WELCOME TO THE HOTEL, WE WOULD BE HAPPY TO--"

That is when it hit me. She was wearing the same bracelet. The exact same. My sister noticed this too, but my brother simply played with his phone. Veronica kept twitching as well, but less frequently.

"Yes, we would like our room keys. I am Mr. Vendor." smiled my father.

"CERTAINLY..ROOM 5. HERE YOU GO!!!!"

We walked up to our room and entered. Our room was a complete mess. There was blood on the table, the beds were covered in a...suspicious liquid and the shower did not work.

"This place is a dump," I said.

"What are you talking about, it's amazing!" shouted my mother. I heard rats crawling outside our room.

"Something ain't right bro. What is wrong with everyone? Can you see them cum stains on the beds?" asked my sister.

"Wait that was cum? Anyway, I know. Something is extremely different with our family..."

It was a long day, so we all decided to have a rest. Me and my sister slept close by, the beds were too filthy to sleep on.

There was a knock on the door.
There it was again.
And again.

My sister got up. I went with her. We slowly opened the door. It was the manager, and his skin was pale. He was holding an axe and he was twitching more then ever. I shouted to my family, but nobody heard. No wonder I could hear no other hotel visitors. He had probably killed them all and we were next. He thrust the weapon at my sister first. I grabbed hold it of the dirty tool and tried to remove it from his grip. I failed. We ran back and turned the lights on. We both grabbed a metal bar we strangely found on the ground and chucked it at him. They smashed him straight over the head. The metal bars broke. Both of them.

I grabbed my brothers phone. At the exact moment I threw it, he had an incoming call. The phone missed and hit the wall, somehow cancelling the call. The manager fell to the floor and was shaking. He dropped the axe and held his head. The cell phone must of screwed with him. My parents got up and finally noticed the cum stains. The managers head blew up. His brains decorated the walls. His blood hit the table and his neck spewed out black liquid. The bracelet came off.

"This is gross! You were right!" my mom exclaimed.

My dad and I walked out of the room. I held the axe, just in case. My sister, my brother and my mom followed. There, about 6 feet away from us, was Veronica. Even more pale then the manager, even more of a twitch then ever. I had had enough. Her head was rotating and I was sick of being in this disgusting hotel. This was not a vacation. I threw my axe straight into her head. I was breathing wildly. She stopped. She pulled the axe from her pale forehead with blood spewing out.

She laughed then twitched. She laughed, then twitched again. She did this for 3 minutes straight until my sister got out her phone and dialed my brothers number. My sister was holding my brother's phone too!? I did not see her grab it. The vibrations coming from Veronica's head were insane. She gripped the axe firmly and began to ram it into her chest until she fell down to the ground. We walked down the stairs of the gross hotel and went into our car. We drove home and I researched the hotel. I saw so many results.

"VERONICA KILLS 7 BABIES"

"JOHN GOTARGO KILLS PREGNANT WOMAN"

I then searched the bracelet they were wearing. Do you know how many times I saw the words "Devil" and "Evil" on the first page alone?

Because I don't.

Too much to count.

But there is still one question. Why did my mother, my father and my brother still not see the blood in our hotel room until the manager was killed? I have no clue.

That's for me to wonder.

And you to find out.
« Last Edit: April 12, 2010, 03:59:58 PM by Big Brother »

Bump

Greetings, reader.

It’s a strange fact about the modern age, that in order for a thing’s existence to be confirmed, you cannot trust to your own five senses anymore. In order for reality to be ‘real’, it must be confirmed so by the greater populace. Television, and the internet, have changed our way of life whether for good or ill. Events in my life over the past few weeks seem…so odd, even now, that the act of writing them down and…’publish’ it online may be the only way for it all too feel like more than a slide into delirium.

In my living room, near the door that leads to my bedroom, there once hung a 3 1/2’ by 5’ oil painting. The artist was one William Cartwright, an obscure Wolverhampton native who, the owner told me, had died mysteriously in the early 1950’s. I made the purchase at a garage sale for a princely sum of £10 – the owner, a middle-aged man called Charles Franklin, must’ve been desperate to sell, considering the dilapidation of both his house and himself. The picture itself is a bucolic scene, as wholesome as a Rockwell, and as verdant as a Matisse. It depicts a family picnic within a lush meadow, buttercups blooming around the gathering, a small copse of trees to the left, and rolling hills in the background. The weather is fair, and the subjects – mother, father, three rosy-cheeked children – are accoutred in post-war attire. On careful inspection, however, one can see a rather less cheerful detail. Partially hidden behind the foremost tree is another person, a drably clothed young man with a sour expression on his face. I only really saw it after I’d made the purchase, and it rather ruined the painting’s main mood for me…though not enough that I didn’t end up hanging it anyway.

I bought it six weeks ago, and it was one week after that all this started. It was 6:30 in the evening, and I was returning to the living room from the bathroom when I noticed that the painting had been altered. Maybe it was set at a wrong angle? I inspected it, and found it was hung perfectly straight. Nothing had changed within the frame, either…the picnic still progressed merrily, and the dour youth still looked on with his back to the trees. I turned away, prepared and ate dinner, watched some fitfully funny sitcoms and went to bed.

I awoke in horror at 3:30 am that morning, shivering and soaked with sweat, the riddle of the painting answered. I knew what had changed…the stranger, once partially obscured only a few hours before, was completely visible. The still life had moved.

Over the next week, I kept a wary eye on the painting whenever I passed it. Sure enough, with each passing day the dark figure grew ever so slightly larger in comparison to the foregrounded figures. And, as his features became clearer, I saw that his face wasn’t so youthful, or so angry either…maybe it was a trick of the light, but sometimes his expression was more akin to a smile, albeit a sinister one. It wasn’t just the painting, either. Any horror movie I watched, whenever the monster leaped at the screen, it seemed more vivid and threatening than before. Maybe it was my eyes unfocusing, but it seemed to me that the edges of the screen warped outward each time it happened. Every time I listened to music, I heard occasional murmuring, like somebody…or something… whispering the apocrypha of the damned. The backyard of my house always played host to small animals and birds, most of them visibly sickening. And as for the dreams…the less said the better.

Two weeks ago, a loud thump on the back door woke me up in the early morning. Eyes barely open, I staggered out to the living room to investigate the noise. The noise had been made by a crow dashing itself against the door, and it’s crumpled form lay quite dead in the wan dawn light. With the aid of a plastic bag, and considerable reluctance, I brought the corpse inside, went out to the street and gave it a cursory burial in the nearest bin. I then changed and walked out to get that day’s newspaper and a coffee from the corner store.

Ensconced once more in my home, I received a mild shock several pages into my reading. An article, brief and embellished only with a grainy photograph, detailed the investigation of a Self Delete in the local area of one Charles Franklin. The picture was of a sunken eyed, somewhat unkempt man fast approaching sixty. The picture also matched the features of the previous owner of the Cartwright painting. An involuntary shiver spasmed between my shoulders, and I became ever more aware of the painting behind me. I had not inspected the progress of the dark figure yet, and so paced towards it, brackish dread filling my stomach with each step. I was right to dread…if anything, I wasn’t scared enough.

Nothing I’ve drunk since then can erase the image of that tranquil abomination contained within the frames. As usual, the menacing figure on the left had inched further, further into the foreground than the background now. And, as before, the family enjoyed a frozen repast in the heatless sunlight. The familiarity, even that of the unfamiliar, had been intruded on twice, though. A bird hovered above the meadow, a bird with the dusky feathers of a crow. And in the mother’s hands a baby, dark eyed and sombre, was cradled. Even with the weight of years and worry lifted, I knew I saw none other than the face of Charles Franklin.

I’ve since covered the painting and sealed it in a cupboard in the spare room – yet still I can sense it no matter where I am. It exudes a suffocating aura, instilling me with a leaden torpor no amount of caffeine can shake off. Many times I’ve thought of destroying the damn thing, yet whenever I endeavour to do so fatigue overwhelms me, and I am left unable to rise from the floor. I’ve advertised it for sale, but so far there hasn’t been so much as a single phone call. I can’t listen to music anymore…it’s drowned out by horrendous babbling, a cacophony of obscenities and hatred. I don’t watch movies either…or indeed, anything. I looked into my bathroom mirror for the last time five days ago, and what stared back at me was the dark man’s murderous leer. It took more courage than I care to admit just to switch this computer on. I do not know the nature of William Cartwright, or the nature of his painting, or the nature of the spectre that haunts me. What kind of man was Cartwright? What kind of monster? How many paintings did he create before consigning his flesh to rot? Did his soul follow? It doesn’t matter. Nothing matters now. All I know is that it has consumed me completely, like it consumed Charles and his family.

The sounds of faint hammering drift from the spare room. May the padlock hold out, at least until the pills have rendered me oblivious.

Farewell, dear reader.

Creepypasta

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Just saw that on creepypasta Also you didn't need to bump this..